Where's the sense of reviewing an album filled with material that every right-thinking human being must already own? Well, let's not forget those over 80s and under 20s out there who may have yet to experience the full majesty of the band who set the benchmark for stadium-packing epic blues/folk rock. And, on the eve of the most hyped reunion gig of all time, Mothership lays it all out in chronological form.
Born from the ashes of the Yardbirds in 1968, Jimmy Page joined with fellow session monkey, John Paul Jones, and hotly-tipped West Midland youngsters Robert Plant and John Bonham This was alchemy of the highest order. Plant and Page's love of West Coast psychedelia, folk and primal blues was bolstered by Jones' arranging acumen and Bonham's powerhouse skinsmanship. Within weeks the first album was spawned. Already it contained the seeds of their greatest moments: The stinging bite of "Communication Breakdown", the doomy blues of ''Dazed And Confused'' and the widescreen pastorality of "Babe I'm Gonna Leave You".
An ability to turn every live event into an extemporised trip through rock's back catalogue meant that the USA fell within months of hard touring. Missive number two contained more pilfered blues, but combined it with Page's now fully-matured Les Paul attack. Plant's wailing on "Whole Lotta Love" highlights the sexual nature of their cross gender appeal while "Ramble On" ushered in their ability to wrap nuance around sword and sorcery nonsense.
Now asssured of their place as rock gods, the band used the freedom to explore their gentler side on III. They drew on their love of SF tricksters like Kaleidoscope as well as English pioneers, Fairport Convention. Unfortunately this is where Mothership falls way short; opting to include the harder numbers rather than gems like ''Gallows Pole'' or ''That's The Way''. Shame...